NYTIMES (Jason Farago) - Peter Max Franchised the Cosmic ’60s Into Commercial Success, Without the Museum
For decades, his bold colors and benign peace-and-love message captivated those who saw America shining.
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For decades, his bold colors and benign peace-and-love message captivated those who saw America shining.
Max began his career in graphic design in the 1960s, and his swirly, colorful designs epitomized the era’s “flower power” art.
Max began his career in graphic design in the 1960s, and his swirly, colorful designs epitomized the era’s “flower power” art.Open
His work — filled with color-saturated stars and sun rays — adorned posters, coffee mugs and album covers during the Age of Aquarius and beyond.
With work that breathed the spirit of the 1960s, he became fabulously wealthy from licensing his paintings and posters in all their euphoric Day-Glo glory.
The designer was known for his flashy, sparkly designs for Cher, Diana Ross, Tina Turner and countless others.
He photographed Marilyn Monroe and took the cover photo for Miles Davis’s “Kind of Blue.” For 50 years, he lived in a vast graffiti-covered bank building.
For five decades, the artist has made sculptures that are larger-than-life — and also singularly reflective of his own.
A phenom in his 20s, he became the poster child for Zombie Formalism before abandoning the gallery frenzy for Montauk.
A mom who started a new career in her 40s. An uncle who was moved to tears by an eclipse. Intimate obituaries, in 150 words or less.
Artists, scholars and fans celebrated Ms. Kusama as a cultural giant who helped bring Japanese art to the masses.