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BITCHUTE (The Salty Cracker) - Elliot Page is Upset Being Offered No New Roles Since "The Odyssey"

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CULTURCIDAL (John Hawkins) - Liberals Love to Make Things Ugly

One of the things I find interesting is that we’re always told conservatives are Philistines when it comes to the arts.

We just don’t care about the arts like liberals, who are always going on and on about the importance of pretentious, terrible pieces of artwork or how we must give more government money to art museums. Meanwhile, have you ever noticed the sort of art that conservatives tend to find beautiful vs. what liberals like? Conservatives tend to really like the classics. You know, old churches, detailed statues, and gorgeous women. But liberals? Liberals like to push ugly. Ugly art. Ugly characters. Ugly people. It was a couple of posts about comics that I randomly ran across that got me thinking about this : This is not confined to comics either. So much of modern art that liberals champion is hideously ugly garbage. There are many examples we…Open

AMERICANALMANAC (Sadie Smith) - Samantha Morton's real-life magic act finds its stage in Nolan's 'The Odyssey'

Before she played a sorceress on screen, Samantha Morton was pulling off illusions for real. The 49-year-old British actress, who portrays the enchantress Circe in Christopher Nolan's new epic The Odyssey, spent years as a teenager working as a magician's assistant, a chapter of her life that, by her own telling, fed directly into one […] The post Samantha Morton's real-life magic act finds its stage in Nolan's 'The Odyssey' appeared first on American Almanac .

Before she played a sorceress on screen, Samantha Morton was pulling off illusions for real. The 49-year-old British actress, who portrays the enchantress Circe in Christopher Nolan's new epic The Odyssey, spent years as a teenager working as a magician's assistant, a chapter of her life that, by her own telling, fed directly into one of the summer's most talked-about performances. In an interview with Entertainment Weekly , Morton described how a fellow member of the Central Junior Television Workshop in Nottingham, a drama group for working-class youths, was also part of the Magic Circle, Britain's storied organization for professional magicians. He asked Morton to be his assistant, and she kept at it until she was 16. The role was…Open