Marcel Duchamp flipped the notion of art’s value on its head. We need foundation-shaking badly today, our critic says, and a sweeping survey at MoMA is an arresting reminder.
On the staff of The New Yorker for more than 60 years, he wrote about Duchamp, Rauschenberg and many others. His books include “Living Well Is the Best Revenge.”
During a six-decade career at the New Yorker, Mr. Tomkins profiled scores of artists, including Marcel Duchamp, Robert Rauschenberg, Jasper Johns and Georgia O’Keeffe.