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Showing 10 items since 1115576

WASHINGTONPOST (Brady Dennis, Cole Reynolds, N. Kirkpatrick, Chris Hacker) - ‘Teen takeovers’ confound cities struggling to define the problem — and find solutions

Viral videos of unruly gatherings of young people are pushing city officials to deal with a problem they are having trouble defining, much less solve.

NPR (Kat Lonsdorf) - Minnesota is pulling troops early from D.C., as pressure grows on Michigan

Minnesota Gov. Tim Walz is pulling his National Guard early from Washington, D.C. as the chorus against Democratic governors sending troops to the city amid President Trump's ongoing deployment grows louder.

Minnesota Gov. Tim Walz is pulling his National Guard early from Washington, D.C. as the chorus against Democratic governors sending troops to the city amid President Trump's ongoing deployment grows louder.Open

NPR (Chloe Veltman) - Shy on the dance floor? Virtual reality 'partners' aim to help you find your groove

VR dance lesson apps like Dance Guru and Trip the Light offer a judgment-free way to learn partner dancing.

VR dance lesson apps like Dance Guru and Trip the Light offer a judgment-free way to learn partner dancing.Open

NPR (Odette Yousef) - With the white nationalist group Patriot Front, what you see is not what you get

Hundreds of masked white nationalists marched in the nation's capital on July Fourth. Who were they and where does their funding come from?

Hundreds of masked white nationalists marched in the nation's capital on July Fourth. Who were they and where does their funding come from?Open

AMERICANTHINKER - The Apparent Paradox Of GDR Nostalgia

Photo Credit:Franz Krüger, Public domain, via Wikimedia Commons Public Domain By Lars Møller The Myth of Carefree Communism: Why some long for the imagined “freedom from worry” of the defunct GDR.

AMERICANTHINKER - Citizen Kane at 85: A Revolutionary Masterpiece Still Hiding in Plain Sight

Photo Credit:RKO Radio Pictures, still photographer Alexander Kahle, Public domain, via Wikimedia Commons Public Domain By Charlton Allen Orson Welles’s film may no longer shock us the way it shocked audiences in 1941—but only because so much of modern cinema learned to speak its language.